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備注：已完結(jié)
類型：恐怖片
主演：格利高里·派克 安·托德 查爾斯·勞頓 查爾斯·科本 埃塞爾·巴里摩爾
語言：英語
年代：未知
簡介：帕拉丁夫人（阿莉達·瓦莉 Alida Valli 飾）被控告殺害了自己的丈夫，她找來了名叫安東尼（格利高里·派克 Gregory Peck 飾）的知名律師為自己辯護。隨著交往的深入，安東尼發(fā)現(xiàn)自己竟然漸漸地愛上了美艷的帕拉丁夫人，然而安東尼已經(jīng)娶了單純善良的妻子蓋伊（安·托德 Ann Todd 飾），每每想到妻子的臉龐，安東尼的心里就感到格外內(nèi)疚。 然而，對于帕拉丁夫人的迷戀戰(zhàn)勝了安東尼的內(nèi)疚感，一次偶然中，安東尼發(fā)現(xiàn)帕拉丁夫人身旁的仆人安德魯（路易斯·喬丹 Louis Jourdan 飾）最有嫌疑，盡管并沒有安德魯就是兇手的確鑿證據(jù)，但嫁禍于安德魯?shù)拇_是能夠讓帕拉丁夫人脫罪的最好方式。
備注：已完結(jié)
類型：劇情片
導演：劉易斯·艾倫
語言：英語
年代：未知
簡介：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
