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備注：已完結
類型：劇情片
主演：納維德·穆罕默德扎德 塔拉內·阿里多斯蒂 阿里·巴格利
導演：曼尼·夏希希
語言：波斯語
年代：未知
簡介：受產(chǎn)前抑郁困擾的法莎娜從霧雨車窗外望，瞥見丈夫賈拉身影進入高級公寓，懷疑他有外遇，賈拉卻言之鑿鑿當天不在德黑蘭。查探之下，竟發(fā)現(xiàn)另一對夫婦，相貌與他們雷同，儼如是彼此分身。對鏡互照，看出自己的不足，也看出伴侶的缺陷，單純的偶遇演變成糾結四角關系。掩映在暗黑光影下是希區(qū)柯克式懸疑驚栗，滲透于滂沱大雨中卻是曼尼·夏希希對伊朗式婚姻、道德以至人性矛盾的深沉體悟；在神權政體下，人必須自我分裂甚至自我毀滅，方能讓“我”活下去？
備注：已完結
類型：喜劇片
主演：托維諾·托馬斯 卡爾婭妮·普瑞婭妲珊 Shine Tom Chacko
語言：其它
年代：未知
簡介：Thallumaala revolves around a series of fights in the life of a young man named Wazim, Among these fights, the one that ends up topping the list is the massive fight that breaks out on his wedding day, which transforms Wazim into Manavalan Wazim, the internet sensation he is today. The fact that his bride was Beepaathu, an even bigger internet celebrity, only makes things worse. The Police S.I, Regi Mathew, who now believes his only shot at redemption and going back to normal is through a fist fight to the end with Wazim. As both men gear up for the final brawl, Wazim must also fight the fight of winning back the heart of his lost love and once bride, Beepaathu.
備注：已完結
類型：喜劇片
主演：大衛(wèi)·安德斯 凱西·史 Jeff·Rector Braxton·Dav
導演：D·凱瑞·普瑞爾
語言：英語
年代：未知
簡介：巴特（大衛(wèi)·安德斯 David Anders 飾）是一名軍人，一次行動中，他不幸中槍死亡，而就在他的遺體入土沒多久，巴特竟然復活了。有些搞不清楚狀況的巴特找到了生前的好友喬伊（克里斯·維爾德 Chri...
備注：已完結
類型：科幻片
主演：斯蒂芬妮·馬蒂尼 艾瑪·阿普爾頓 羅里·弗萊克-拜恩 休·奧康納 Aa
導演：安德魯·萊格
語言：英語
年代：未知
簡介： Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II? Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it? Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
