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備注:已完結(jié)
類型:喜劇片
主演:Michael Artis Lisa Y. Banks-Sparrow
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:最異想天開的黑人詐欺喜劇,一對(duì)兄弟檔走投無(wú)路到想打劫上帝!雅各是一位自以為是的行騙光棍,某日,他與食古不化的兄弟凱恩在黑幫追殺下,竟跑去破敗教堂尋求庇護(hù)。沒想到竟心生歹念,企圖行騙教士、詐取錢財(cái),以湊足積欠黑幫的鉅款。此時(shí),凱恩意外愛上美麗的教會(huì)秘書,計(jì)畫因此有變數(shù),這場(chǎng)鬧劇會(huì)如何收尾呢?
備注:已完結(jié)
類型:喜劇片
主演:格雷迪·薩頓 布魯克斯·貝內(nèi)迪克特 King·Lockwood 查爾斯
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:哈羅德(哈羅德·勞埃德 Harold Lloyd 飾)是出生在鄉(xiāng)下的小鎮(zhèn)青年,剛剛升入大學(xué)的他對(duì)未來(lái)充滿了憧憬和希望,他渴望成為校園里的風(fēng)云人物,并且為此做出了很多的努力,可是他的種種舉動(dòng)卻成為了旁人眼中的笑話,不僅如此,呆頭呆腦的他還屢屢遭人算計(jì),扮演著冤大頭的角色?! ∨畬W(xué)生佩姬(喬拜娜·勞斯頓 Jobyna Ralston 飾)不忍心看到哈羅德被刷得團(tuán)團(tuán)轉(zhuǎn),于是好心的提醒他,終于明白了事情真相的哈羅德陷入了消沉的情緒之中。好在哈羅德是一位樂觀的青年,重振旗鼓之后,哈羅德加入了校足球隊(duì),雖然只能坐冷板凳,但哈羅德知道,只要自己堅(jiān)守這一位置一天,就總能遇到讓自己發(fā)光發(fā)熱的機(jī)會(huì)。
備注:已完結(jié)
類型:劇情片
主演:Perry Dizon 安吉爾·阿基諾 巴特·金戈納 Hazel Or
導(dǎo)演:拉夫·迪亞茲
語(yǔ)言:菲律賓語(yǔ)
年代:未知
簡(jiǎn)介:A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.