備注：已完結
類型：劇情片
主演：諾埃爾·考沃德 嘉芙蓮·哈里森 John·Boxer 沃利·帕奇 約翰
語言：英語
年代：未知
簡介：英國皇家海軍的一艘驅逐艦“托林”號建成服役后，曾屢建奇功，1941年5月，在克里特海面一次激烈的對空作戰(zhàn)中，“托林”號的全體官兵浴血奮戰(zhàn)，擊落多架飛機，但“托林”號也不幸中彈起火。艦長洛金斯向官兵發(fā)出...
備注：已完結
類型：劇情片
主演：簡·懷曼 瑪琳·黛德麗 邁克·懷爾登 理查德·托德 阿拉斯塔爾·西姆
語言：英語
年代：未知
簡介：當紅舞臺劇女星Charlotte（Marlene Dietrich）這日早晨匆匆叩開情人Jonathan（Richard Todd）的房門，神色慌張地相告她剛剛殺了丈夫。Charlotte緊張更因她馬上要去劇場演出，身上穿的卻是沾有一大塊血跡的裙子。Jonathan將Charlotte安撫一番，來到她家?guī)退∑渌路?，并在要離開之時偽造了現(xiàn)場，但卻因此耽擱時間被Charlotte的女仆看見，Jonathan被迫找上愛戀他的Eve（Jane Wyman）。 上是Eve開車帶Jonathan逃避警察追捕時，Jonathan對她的講述，Eve聽畢決計為所愛之人赴湯蹈火。但事情卻有另外真相。
備注：已完結
類型：劇情片
主演：吉蓮·安德森 本·福斯特 凡妮莎·柯比 布蘭威爾·多納蓋 克里·約翰遜
語言：英語
年代：未知
簡介：美國著名劇作家田納西·威廉斯的經典劇作《欲望號街車》曾多次被搬上銀幕及舞臺，其中令人印象深刻的包括拍攝于1951年的首部電影版本，由馬龍·白蘭度和費雯麗領銜主演。這版同樣不乏演技與氣質不凡的陣容——艾美獎及金球獎得主吉蓮·安德森（《X檔案》《墮落》）飾演布蘭奇·杜包爾斯 ，艾美獎得主本·福斯特（《六尺之下》《殺死汝愛》）飾演斯坦利，而近年來在BBC劇集中有亮眼表現(xiàn)的新生代女演員瓦內薩·柯比則飾演斯特拉。 簡介：布蘭奇的生活脆弱而崩潰，于是她轉向妹妹斯特拉尋求慰藉，但她的負面情緒則引領著她，一步一步走向并面對殘酷無情的斯坦利·科瓦爾斯基……
備注：已完結
類型：喜劇片
主演：Stephen Guarino Gerald McCullouch J
語言：英語
年代：未知
簡介：BearCity is a hirsute "Sex and the City," following the funny, romantic, and occasionally dramatic adventures of a group of bears and cubs in New York City. The sequel, BearCity 2 follows our familiar characters and a few new ones as they head to Provincetown, MA for Bear Week!
備注：已完結
類型：劇情片
主演：Arik Lavie Shaike Ophir Avraham Hef
語言：希伯來語
年代：未知
簡介：A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch. A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality. Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others. The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.
