溫馨提示：歡迎訪問
請記住網(wǎng)址：www.sym-magazine.com，感謝網(wǎng)友的支持！提供最新高清電影熱播電視劇在線觀看，為廣大用戶免費提供在線觀看電影和電視劇服務(wù)。
備注：已完結(jié)
類型：劇情片
主演：Shardul Bhardwaj Shashi Bhushan Mah
導(dǎo)演：普拉泰克·扎茨
語言：印地語
年代：未知
簡介： 印度人民將猴子當成神靈，終成禍患。青年安賈尼在姐夫的幫助 下，找到了一份公務(wù)員的工作，工作內(nèi)容是模仿“咿嘞嗚”的叫 聲來嚇跑猴子。這份工作打擊了他的尊嚴和勇氣，令他非常不滿， 卻因自身能力欠缺而無可奈何。他決定裝扮成葉猴──猴子的天 敵──來對付猴子，令猴子們紛紛逃竄?？墒墙?jīng)歷連串事件之后， 他卻發(fā)現(xiàn)自己像猴子一樣被驅(qū)逐。這是一部諷刺意味十足的影片， 將猴子的威脅、承包商的腐敗，與安賈尼的工作經(jīng)歷融為一體， 折射出對當局者及其所頒布的政策的諷刺。
備注：已完結(jié)
類型：劇情片
主演：簡·懷曼 瑪琳·黛德麗 邁克·懷爾登 理查德·托德 阿拉斯塔爾·西姆
導(dǎo)演：阿爾弗雷德·希區(qū)柯克
語言：英語
年代：未知
簡介：當紅舞臺劇女星Charlotte（Marlene Dietrich）這日早晨匆匆叩開情人Jonathan（Richard Todd）的房門，神色慌張地相告她剛剛殺了丈夫。Charlotte緊張更因她馬上要去劇場演出，身上穿的卻是沾有一大塊血跡的裙子。Jonathan將Charlotte安撫一番，來到她家?guī)退∑渌路?，并在要離開之時偽造了現(xiàn)場，但卻因此耽擱時間被Charlotte的女仆看見，Jonathan被迫找上愛戀他的Eve（Jane Wyman）。 上是Eve開車帶Jonathan逃避警察追捕時，Jonathan對她的講述，Eve聽畢決計為所愛之人赴湯蹈火。但事情卻有另外真相。
備注：已完結(jié)
類型：劇情片
主演：Arik Lavie Shaike Ophir Avraham Hef
語言：希伯來語
年代：未知
簡介：A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch. A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality. Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others. The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.
