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備注：已完結
類型：動作片
主演：IdaRahayuYusoff NoorhayatiMaslini
語言：馬來語
年代：未知
簡介：EjenAliisappointedasthepilotofProjectSatria,anewarmouredsuitwiththehelpofanArtificialIntelligenceprogrammespeciallydesignedtooptimisethephysicalperformanceandmentalskillsofMATAagentswhilecarryingouttheirsecretmissions.
備注：已完結
類型：劇情片
主演：Michael Girgenti Josh Abraham Webbe
導演：Josh Abraham Webber Michael Girgenti
語言：英語
年代：未知
簡介：Two brothers Carmelo and Gino (Girgenti and Webber) are raised by their mob boss grandfather Salvatore Gianni (Williams). Through a series of events Salvatore is killed and the boys then go on a journey to find the killers. One of the brothers is actually the killer... How will the truth unfold?
備注：已完結
類型：劇情片
主演：Guta Stresser 米爾黑·考塔茲 Anderson Faga
導演：埃托爾·達利亞
語言：葡萄牙語
年代：未知
簡介：涂著黑色眼圈的朋克少女尼娜（Guta Stresser 飾）沒有父母，也沒有工作。她獨自一人住在一所破敗昏暗的公寓里，過著窮困潦倒的生活?？量痰姆繓|老太對其沒有絲毫的同情，她用最惡毒的言語詛咒辱罵尼娜，為防止饑餓的尼娜偷喝牛奶，甚至將冰箱鎖起。敢怒不敢言的女孩只得用漫畫和日記發(fā)泄心中的不滿，并在腦中一次次設想殺死這個惱人房東的辦法…… 本片靈感來自陀思妥耶夫斯基作品《罪與罰》，并榮獲2004年莫斯科影展影評人特別表揚、2004年紐約電影節(jié)銀蘋果獎、2004年利瑪拉美電影節(jié)最佳攝影。
備注：已完結
類型：喜劇片
主演：Greg Kirsch Renee Patrick Molly Gra
語言：英語
年代：未知
簡介：影片主要采用諷刺的手法，"虛構"了一段歷史背景, 如果當年南北戰(zhàn)爭結果是主張畜奴的南方贏了，美國不叫"美利堅合眾國the United States of America"，而是成了" 美利堅聯(lián)盟國 the Confederate States of America "，那么這個國家會呈現(xiàn)了什樣的發(fā)展? 整個敘事方式就像在看History Channel，通過一個虛構的英國電視臺在做這個國家發(fā)展的歷史報導，就像我們平常看電視一樣，偶有穿插廣告，而這些廣告大多是在販賣黑奴形象（愚蠢，只會傻笑之類等）的商品 雖說是虛構，但是里頭出現(xiàn)的某些情節(jié)卻又仍可以在今天的 "the United States of America" 見蹤影， 通過這樣的故事安排， Kevin Willmott在這片里想說什，想問什，其實已經(jīng)很明白－"Are Americans living in the United States of America or the Confederate States of Ameirca? "
備注：已完結
類型：劇情片
主演：Arik Lavie Shaike Ophir Avraham Hef
語言：希伯來語
年代：未知
簡介：A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch. A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality. Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others. The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.
