溫馨提示:歡迎訪問
請記住網(wǎng)址:www.sym-magazine.com,感謝網(wǎng)友的支持!提供最新高清電影熱播電視劇在線觀看,為廣大用戶免費(fèi)提供在線觀看電影和電視劇服務(wù)。
備注:已完結(jié)
類型:劇情片
主演:耶日·拉齊維沃維奇 克里斯提娜·楊達(dá) 塔德烏什·羅姆尼斯基 亞采克·沃
導(dǎo)演:安杰伊·瓦伊達(dá)
語言:波蘭語
年代:未知
簡介:影片描寫剛從電影學(xué)院畢業(yè)的學(xué)生阿格涅什卡,雄心勃勃,立志拍一部以50年代勞動(dòng)模范磚瓦工人布爾庫特為主角的傳記性記錄片作為自己的畢業(yè)論文。為了弄清楚主人公是如何成為勞動(dòng)模范,后來被控告判罪,而最終又恢復(fù)名譽(yù)的曲折傳奇的一生,阿格涅什卡進(jìn)行了大量的調(diào)查和資料的搜集,還訪問了當(dāng)時(shí)歷史發(fā)生時(shí)的一些關(guān)鍵人物。最后她找到布爾科特的兒子,得知這位曾經(jīng)被稱為大理石人的英雄已經(jīng)死了。就連公墓的墓碑上都沒有留下布爾庫特的名字?!霸诟竦箍嗽齑瑥S工人騷動(dòng)期間,布爾庫特喪了命。人們再也找不到他的任何痕跡。從此,大理石人就成了
備注:已完結(jié)
類型:劇情片
主演:克里斯提娜·楊達(dá) 亞當(dāng)·費(fèi)仁希 揚(yáng)努斯·加約斯 阿格涅絲卡·霍蘭 安娜
導(dǎo)演:賴斯扎德·布加斯基
語言:
年代:未知
簡介:托尼婭(克里斯提娜·楊達(dá) Krystyna Janda 飾)覺得,再也沒有什么事情能比丈夫康斯坦丁(奧爾基爾德·魯卡斯瑟維克茨 Olgierd Lukaszewicz 飾)的四處沾花惹草更糟糕的了,但很快托尼婭便明白,事實(shí)并不是如此。原來,在一次買醉消愁時(shí),托尼婭酩酊大醉,醒來后的她發(fā)現(xiàn)自己被關(guān)進(jìn)了監(jiān)獄,而當(dāng)局囚禁她的罪名不是別的,竟然是叛國。
備注:已完結(jié)
類型:愛情片
主演:克里斯提娜·楊達(dá) 帕維爾·薩拉耶達(dá) 揚(yáng)·恩格萊特 雅德維加·揚(yáng)科夫斯卡
導(dǎo)演:安杰伊·瓦伊達(dá)
語言:
年代:未知
簡介:暫無簡介
備注:已完結(jié)
類型:劇情片
主演:米羅斯洛·巴卡 克日什托夫·格洛比什 揚(yáng)·特薩利茲 比涅尤·扎塔西奇斯
導(dǎo)演:克日什托夫·基耶斯洛夫斯基
語言:其它
年代:未知
簡介:Jacek Lazar(米羅斯洛·巴卡 Miroslaw Baka 飾)是一個(gè)二十一歲的男子,他在街上游蕩,嚇走廣場上的鴿子,在天橋上朝底下的汽車扔石頭,在照相店讓人將他口袋里那張已經(jīng)出現(xiàn)了折痕的照片放大,是一個(gè)小女孩的照片。Waldemar Rekowski(Jan Tesarz 飾)是一個(gè)普通的的士司機(jī),調(diào)戲年輕女子,捉弄乘客,故意按喇叭驚嚇動(dòng)物,他的下一個(gè)乘客是Jacek。Piotr Balicki(Krzysztof Globisz 飾)是一個(gè)年輕的律師,認(rèn)為刑罰并不能防止犯罪,而防止犯罪正是法律的目的,他剛剛通過律師考試,他為殺人犯Jacek辯護(hù)。Jacek坐上了Waldemar的的士,他們開車到野外,Jacek用一條繩子勒死了司機(jī)。Balicki極力為Jacek辯護(hù),希望避免死刑,但Jacek最后還是被判處了死刑。臨終前,Jacek和Balicki長談,說起因?yàn)樗鸵粋€(gè)卡車司機(jī)喝酒,致使卡車司機(jī)開車碾死他妹妹的事情......
備注:已完結(jié)
類型:劇情片
主演:比涅尤·扎塔西奇斯 克里斯提娜·楊達(dá) 塔德烏什·布拉德茨基
導(dǎo)演:克日什托夫·扎努西
語言:法語
年代:未知
簡介:托馬斯是位年逾花甲的醫(yī)生,沒有宗教信仰。他一直懷疑自己身患重病。于是,他開始思考生與死的意義。答案——或者說跡象——出其不意地始于醫(yī)院監(jiān)護(hù)室……影片題目靈感來源于華沙的城市墻壁涂鴉。生命是悲劇性的矛盾體,本身就是通往死亡的旅程。 贊努西作品《愛在山的那一邊》同一個(gè)故事的另一個(gè)版本,劇情的重心轉(zhuǎn)到了意外發(fā)現(xiàn)自己罹患絕癥的老醫(yī)生身上。透過主角的掙扎,這部探討生命、死亡、愛與救贖的「臨終電影」,沈穩(wěn)有力地道出贊努西對哲學(xué)與倫理學(xué)的省思,參與過不少贊努西電影的老牌演員Zbigniew Zapasiewicz表現(xiàn)可圈可點(diǎn)。 《愛在山的那一邊》:年輕的男主角,掙扎于應(yīng)該改作服侍上帝的修士,還是回到醫(yī)學(xué)院繼續(xù)未完成的學(xué)業(yè),他千方百計(jì)地尋找答案,甚至以危險(xiǎn)的方式試煉自己,結(jié)果不但讓相依為命的哥哥擔(dān)憂,也連帶影響了他和女友的感情。他向一個(gè)偶然認(rèn)識(shí)的老醫(yī)生提出他的疑惑,沒料到這位步入生命終結(jié)的老人,在最后一刻意外幫助了男主角從自己強(qiáng)加的道德沮喪中掙脫出來。
備注:已完結(jié)
類型:科幻片
主演:馬雷克·瓦爾切夫斯基 克里斯提娜·楊達(dá) Joanna Zólkowsk
導(dǎo)演:皮奧特爾·舒爾金
語言:其它
年代:未知
簡介:In this futuristic sci-fi film, based on the legends of the Golem, insane scientists have invented technology that give them total control over the half-human, half-android population of Earth. Trouble ensues when one of the creatures begins showing independent will. He must be destroyed lest he influence the rest. They pursue him, but somehow he continues to elude the evil doctors. ~ Sandra Brennan, All Movie Guide
備注:已完結(jié)
類型:科幻片
主演:耶日·斯圖爾 克里斯提娜·楊達(dá) 卡里娜·謝魯斯克 馬里烏什·德莫霍夫斯
導(dǎo)演:皮奧特爾·舒爾金
語言:其它
年代:未知
簡介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.