黑幕風(fēng)云

備注：已完結(jié)

類(lèi)型：劇情片

主演：皮厄特勒·加里克奇 比涅尤·扎塔西奇斯 克里斯汀·保羅·波德拉斯基 馬 

導(dǎo)演：克日什托夫·扎努西 

語(yǔ)言：波蘭語(yǔ)

年代：未知

簡(jiǎn)介：在波蘭一個(gè)大學(xué)生夏令營(yíng)中，一個(gè)具有獨(dú)立思想的助教克魯斯金斯基，和一個(gè)傲慢的終身教授謝萊斯托斯基之間發(fā)生爭(zhēng)執(zhí)。另外還有所謂的“政治正確派”和科學(xué)最求派之間的矛盾。討論的議題并非黑白分明，但學(xué)生的熱情卻保持著高亢的狀態(tài)，將青年的正義感表現(xiàn)到無(wú)以復(fù)加的程度。

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等待方舟

備注：已完結(jié)

類(lèi)型：科幻片

主演：耶日·斯圖爾 克里斯提娜·楊達(dá) 卡里娜·謝魯斯克 馬里烏什·德莫霍夫斯 

導(dǎo)演：皮奧特爾·舒爾金 

語(yǔ)言：其它

年代：未知

簡(jiǎn)介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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出生證明

備注：已完結(jié)

類(lèi)型：戰(zhàn)爭(zhēng)片

主演：Wojciech·Siemion 瑪利亞·卡涅夫斯卡 Wanda·Lu 

導(dǎo)演：斯坦尼斯拉夫·羅澤維格 

語(yǔ)言：波蘭語(yǔ)

年代：未知

簡(jiǎn)介：In 1961, Stanislaw Rozewicz created the novella film "Birth Certificate" in cooperation with his bro...

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